![]() Note: This only happens with projects (HLG media + Rec.709 timeline) created in the previous version. This causes the clips to look saturated/over-exposed in the newer version of Premiere Pro. ![]() However, in v 22 opening a project created in the previous version (which had HLG media on Rec.709 timeline) results in HLG to Rec.709 conversion. So a timeline created from HLG media in v 22 will automatically be assigned HLG color space. In Premiere Pro v22, H264 and HEVC are color managed, and the HLG media is treated as Rec.2100. In the previous version of Premiere Pro (v 15.x), HLG media was treated as Rec.709 & the sequence created from that media also used Rec.709 color space. So why do HLG files look saturated/over-exposed in Pr v 22? This allows you to return to a standard iPhone workflow.
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